Jung Yeon Min’s works are extremely imaginative and wealthy. One finds a number of worlds, the extraordinary and the lifelike, notions of micro and macro, and manipulations of area and time in her work. Particularly, her work presents two equal however divergent investigations. On the one hand, she envisions and explores a mysterious and fantastical world. In a separate however concurrent investigation, she examines the impact of time within the pictorial realm. Typically colliding, these two factors of inquiry type an intriguing foundation for a better studying of Min’s works as opening up locations of potential and risk.